In the present day, the story is told through Javier, alienated from his family by his athletic celebrity and some vague, implied disgrace. A flashback with Jane, the Season Two heroine who leads Clementine through a quavering puberty into her steely young adulthood, was legitimately sorrowful, and emblematic of The Walking Dead's remorseless prosecution of its story, allowing only the perfunctory objection from the player. Her retrospectives are nonetheless harrowing. The player only takes control of her in flashback chapters that do not affect the overall arc of the story or any relationship with a character in it. Walking Dead fans looking to jump back into Clementine's story with this new game should temper their expectations.

Clementine's retrospectives are harrowing This review will follow the series as it develops, with updates as each chapter arrives detailing the current state of the game. Most of the player's time will be spent with Javier Garcia, a former professional baseball player accompanying his brother's second wife and her distrustful stepchildren. Clementine, the only permanence in The Walking Dead's fickle and constantly reversible world, returns and is playable, but only in flashbacks. Players are given a new protagonist and can pour their rage into scenarios where a measured response would still end badly. The first two episodes of The Walking Dead: Season Three - also known by the mouthful of a name The Walking Dead: The Telltale Series - A New Frontier - hew to that model. After two seasons of Telltale Games' brilliant interpretation of The Walking Dead, many players have figured out its real game: It's in guessing which choices really do alter the story, and which ones are optional conversations or decisions that still funnel into the narrative the game had in mind all along.

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